introducing black orange juice for 2012 … a cosmic crew of dance floor saviours. nomads of the musical galaxy who are crazy in love and love craze. brought together by ossie of hyperdub records fame. his >tarantula< track was selected in the fact top 50 for 2011, not forgetting the awesome joe goddard >gabriel< remix for greco roman which took his sound to another level and which won him fans the world over… the all singing black orange juice, found it’s sweet spot when ossie recruited two of his closest compadres, paul black and orial, partners in crime with a history of gospel choirs, r&b quartets and lending their vocals to some of londons finest underground heros. they blend the best elements from the uk undergound with a nod to the talents of roska, jamie jones, scratcha dva and mosca, and a wave to those infectious vocal-house sounds reminiscent of hercules and love affair and azari & iii. the sound is both unique and dangerously infectious…

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

hardcore remake by angerfist and prophet of this 1997 marshall masters & ultimate mc classic, an inspiration not juyt for scooters >maria<!

max duke (delphine records, smiley fingers) is debuting for shaker plates and gets remix support by rené

nice price deal !!! no mortal lips are worthy of this kiss is perhaps not your typical song lyric, especially not when you think of the current crop of electronic pop stars. usually love, or anything remotely carnal, takes place in a club or on the floor or in the near vicinity of a dj booth.

catalogue number ten at uncanny valley and for this occasion the dresden based label returns to its roots with another various artists ep. actually, this is long overdue since there are a lot more talented producers to find in the elbe valley. on uncanny valley 010 we present four of them. sandrow m who focussed on the c-beams project recently has been part of the label right from the start. with “the three trees” he makes his solo debut for uncanny valley. the track is a summery house tune that shines with garage vocals and warm synth pads. steve kasper is slowing it down with unvexed dub which is an immersed house excursion for the morning hours. on the flipside scherbes kill bills stumbles but does not fall. instead, the track lives from tottering interaction between bright percussions and fractious drones below. finally, its jacob stoy who closes the record with s51, a dreamy deep house study including heavenly pads and subtle drum programming. for the artwork we are very glad to welcome back paul waak and his colourful figures that gave the first four compilations their unique look!

there are those records you like working on and then there are those records you love working on... this is one of those records we loved! we could not be more excited to welcome back to the camp, the beautiful, amazingly talented tamara wellons. along side her again on this journey at the helm is one of our favorite producers anto vitale that co writes and produces this project. the first time we laid ears on this single we knew what was in store for it, time to bring in the gang to put everyone to work and that we just did for this one. on the remix duties is the man in charge of the soulful movement dj spinna that gives us his signature deep vibes. if that was not enough we welcome back jose carretas that just murders his remix with just enough bounce for the clubs but keeps true to the deep house movement.next up is our good friend jonny montana that never strays from the true elements of deep house and gives us a mix that will be played for years to come with his timeless production. as we always say sit back relax and play this one loud!

after the huge success of suonhos >the ghetto< 12 inch last year, we jumped at the opportunity to work together with him again. this is the first 12 inch from an ongoing project titled >the directors cuts<. five hard to find tracks each with deep funky flavour and not originally intended for the dance floor superbly reloved, rearranged and given that extra bit of suonho magic!

the restless take a remix break! with their formatik 008, format:b presents three artists- each taking on a title of their current album to knit them in their own manner. at the head the berlin buddies pan-pot, shake the a1 with a breeze of rave-charm as usual right out of their sleeve, rocking the track liquid to its climax then glazing the peak with the smooth voice of fran. on b1 dj pp accelerates. gabriel rocha is how hes called in real life, is one of the south-american stars of the scene, delivering an energetic remix of oversexed. last but not least: the winner of the remix-contest in which format:b has listened through a house-high pile of promos is tobi kramer- a young artist of the neighborhood, who has been casted showing his talent by making out of socks and sandals one more time a club-hit.

coming not so far from the alps, opuswerk is a new talented artist in love with hardware equipment and already got some strong producing skills. the charismatic tall guy is a main actor in the renewal of the techno scene in geneva,throwing parties every week-end hes got a residency at milk club and will also open up for carl craig at electron festival yep opuswerk knows how to move a crowd. the a-side features futurewerk,the first of a collaboration with london based techno outfit fundamental interaction, is a raw dubby influenced track where chords and rhythm clearly aim for the dance-floor at 3am,or later depending on your countries going out habits. on the b-side,th13-13 is a flashback to the mid-90s,a squirting bassline with bleeps and blops,it plays subtly with a syncopated rhythm section and discrete chords. pure hardware jam!comes in 180 grams of black wax,carefully mastered at d&m,berlin. full printed sleeve designed by frederic laborde.

incl free mp3- download code, sven kacirek, the much praised multi- instrumentalist from hamburg, releases his third album with pingipung. scarlet pitch dreams presents intimate solo works, following his debut the palmin sessions (2007) and the interna- tional success the kenya sessions (2011), which was honored with german record critics award for the second quarter 2011. whilst the kenya sessions revealed fruitful col- laborations with kenyan musicians, almost every single instrument on scarlet pitch dreams has been played, recorded and produced by sven kaci- rek himself. within these dreamy scéances of per- cussive virtuosity, sven kacirek has effortlessly found his original sound – from the first whirring of the prepared grand in the opener to the massively rolling drumset crescendo in the last track...

comes as limited white vinyl.
james creed is a family member in the truest sense and has been part of the big wheel for a while now, not only is he a hardworking crew member but also a very talented producer in his own right. kls014 is the debut ep from james and we are proud to introduce the world to this unique music maker.
the soft parade comes in the form of two original tracks from james, the decision was taken to leave out the possibility of all remixes from the release and let the two pieces of music shine for themselves.

limited to 300 copies. available only on vinyl.
for the fourth ep on austere, irelands slowburn are welcomed into the fold. having impressed us with releases on uzuri and elektrosouls this ep will not disappoint fans of the label to kick things off we have the the hustle which sounds like something that prescription forgot to release back in the day! next up is broken document which delivers lovely warm analogue chords and pads interlaced with an 808 groove. the b-side starts off with do it using various samples to great effect to culminate in a unique deep house sound. finishing things off in much the same territory is from another angle which again brings the warm chords and pads, but also brings to the table some really delicate synth lines to create a surreal effect.

new to the finale family vincenzo a veteran to the dance music industry he has been a mainstay on dessous, liebe detail, to name a few and here he delivers >you remind me<, detained for the record bags for sure with its deep vibe and its lush programming: ersatile for any dance floor. stuart li aka basic soul unit is also new to finale and here he delivers a floor filler called >depthcharge<, with its deep chords and stabbing synths then a hint of acid and what we have is the ingredients to a peak time masterpiece. last but not least we have mr. joey anderson part of new school deep house masters of new york from the same crew as fred.p, levon vincent, qu, and also part of the underground quality crew run by jus ed. >trapped in motion< brings an underground sound that few can really get across properly. the drums are what gives this track the ammo it needs to provide proper deepness and structure to the dance floor.

so, nang fans, its finally here: the long awaited album by slovenias own sare havlicek, and its a beauty if we say so ourselves! the album, titled >escape machine<, is a direct progression from his most recent run of 12 inches on nang, amalgamating everything we know and love, and a lot, lot more. expect live orchestral sequences, serious analogue heat and the finest vocal arrangements. this is the real deal!

our second vinyl release 2012 introduces a new series, the bias jams, on ilian tape. we start off with a compilation of 4 tracks from japan, serbia, argentina and italy. after some internal investigations we found out that imugem orihasam is not only a japanese shaolin, but also a yoga guru. his bias cut sounds like an instruction for a deep meditation in a forest. we chose a forest, because forests need to be saved. too many black puffs of vapour are killing them at the moment. our late riser regen probably didnt had that a mind, but we declare him to be an environmental activist from now on. now how should we include paper tape in this story … had a look online and found the term perforated paper tape. pretty interesting stuff, it was one of the first methods for data storage. ok are you guys joking? orbital? there is no way to write a good story with those track names. >an atomic orbital is a mathematical function that describes the wave-like behavior of either one electron or a pair of electrons in an atom<. yeah right! well in fact its enough to know that the bias jams series will feature some heavy bomboclaat bias cuts from various artists! cheers

amplified is back with the second part of the acclaimed disco in distress series. this time whizzkid quell is joining in the action delivering a stunning deep house gemm in glengoyne! lay-far once again shows his talent for deep ‘n slow disco vibes. gimme is the heat. nicholas needs no introduction anymore. after killer singles on 4lux last year and a remarkable series of nu groove takes, he here delivers a very strong and original disco-gospel tune called blessing. last but not least we introduce you to the wonderful world of australian producer sellouts who comes with telling everybody a long and mesmerizing disco nugget. a real headnodder!

spring has arrived. think daffodils, premature outdoor parties, ambitious bbqs and the new fina 007. continuing our trend for spotting emerging stars we have enlisted the talents of mannheim poacher turned gamekeeper, and air london starlet, steffen deux. after mixing the >5 years of 8 bit< compilation and appearing on cocoons party animals mix , steffen has demonstrated his ability to turn his loft club fame, into a reputation as a producer, not just a record maestro.

this latest 12 comes courtesy of phil mison & pete herberts much lauded reverso 68 project. baa boo is exactly the kind of blissfully dreamy groove we have come to expect from this accomplished production duo, musical, melodic and tailormade for sunnier climes. on the flip we have piano 89, pretty self explanatory really, but for the benefit of those not pushing 40, its an old school house jam, drenched in the kind of italo piano hook that used to ignite late 80s dancefloors and is destined to do the same some 20 years on - magical.

generic modification in effect here on this 3 tracker from seasoned producer and remixer travelling incognito, hush-hush and strictly on the q.t. . straight out of east london, pacific rim dubs mix up deep, bumpin house with soul and boogie, rude acid with funk and fidget grooves with pure disco. in a mash-up style, but without the comedy beats and not a whiff of irony in sight, pacific rim dubs vol1 takes a selection of infectious snippets from the soul/ boogie vaults and blends them into proper house floor fillers

for correspondant 06, we have invited another french producer who comes from paris and calls himself offset. after a series of jazz/funk projects, offset found his calling with electronic music. >gazoline< is the title track and its a straight dance floor burner that crawled under our skin on the first listen. >subversive< is proof that slow can be dark, groovy, powerful, and sexy all at the same time, and >addicted< has a taste of trance just the way we like it, not too much, but just enough.
supported by maetrik, karrotte, chloe, ewan pearson, ivan smagghe, the hacker ...

within the context of spirals, elements from the levels take on different meaning and significance. these ancient sources of knowledge combined with scientific and genetic theory, can provide valuable tools that can help us broaden our perspective. spirals are also concerned with correct action. correct action in spiral terms is action that is uniquely suited to the individual and the situation at hand. it places an emphasis on practical tools to guide each individual to correct action for him or herself. it does not tell you what correct action is. it gives you a tool to discover that for yourself: your strategy, based upon your unique design.

black 12 + white 7 inch pack - an epic journey into the deeper shadows of winter. echo 106 come from brunnen, the innermost part of switzerland, secrets are whispered, and eyes look at you through the windows. silly limited as usual ... 200 only!
this ep will take you there, where snow conceals, nightfall comes early and unwelcome visitants hunt you. 6 songs, not just tracks, that are a perfect soundtrack to your innermost toughts. lux rec had compiled this selection out of several tracks, new and from the archives, and delivers again some damn fine music. follow the rabbit.

the two monkey guys are very happy to present their first longplayer. after a successful year 2011 and a massive output they want to show the world whats also going on in their mind. happy body music is not only for the dancefloor. of course youll find some techy, housy floorkillers on the lp but also tracks from the deeper techno side and a little sorted stuff from the monkey roots... hip hop and big beat! so please come in, lean back, take a coffee and have a listen to the colourful monkeyworld

not many producers get handpicked by deadmau5 to conjure full length artist album for his prestigious mau5trap imprint, so for german specialist moguai to get the nod twice in as many years is one hefty testament to the sheer quality, imagination and originality of his musical output.

ferdinando apicella aka kernel key adds to his extensive discography with pass it on backed with a remix by sebastian leger the release will drop on italian imprint loose records this december. a sound engineer by trade, apicellas work as kernel key is inspired by detroit techno but sounds entirely his own man. having released his first release on mkt rec, a close affiliate of loose, last year his productions are solidly growing in stature.pass it on not only marks kernel keys debut for loose but also the first remix for the imprint from the irrepressible sebastien leger, whose version of pass it on opens the ep.frenetic, swinging and massively infections, legers version is pure dancefloor mayhem and sees the revered producer inject fun and funk into the original.kernel kes original pass it on is relentless groove with short melodic loops and nagging bass doing all the required work while bizarre filtered keys cut through the tracks nicely judged breakdown for maximum build.lady red rounds off the ep with yet another squarely aimed dancefloor cut. as tight and urgent as pass it on but with slightly detuned stabs and a freakier feel, its a peak time animal of a tune.

after countless collaborations with george in apparel music is consecrate time to this amazing artist with a vinyl. yapacc is a trademark sound that mixes techno and deep so masterful and unique. every breath of his soul shines in his works that transmit to us lot of emotions in one hit, an orchestra that in the song earth race reaches its peak, showing us new worlds, becoming glue wet, wrap around our ears. a magic stamped into the groove. rhythm to dakar is a flight for dancefloor. funky bass takes us back in time, but without losing the essential direction of the grooves fresh and spreadable. alejandro mosso to close delight us using a toll seamples. the culture changes, the rhythm as well, but not the pathos that yapacc has created for this release. alejandro breaks down and reassembled to create a whole new world, parallel but different from the original mix.

its a great honour for us to be able to present conrad schnitzlers last work. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

originally hatched in montreal, but currently based in london, djs anstascia and vivie-ann have established their musical blueprint by proving that they dont fit the quintessential stereotype they re toying around with. in the last few years, blond:ish has carved out its unique production recipe which focuses on the art of creating music that is organic and multi-dimensional. provocative basslines contrasted with smooth textures and sticky vocals blend into a genre of house that rebels against being pigeonholed to any specific category. now, fueled by the duos sharp taste-maker instincts and technical flair, they have not only charmed the industry masses but are set to release on the most notable labels around, including their psychedelic influenced >lovers in limbo< ep out on kompakt mid april, a record inspired by anstascias and vivie-anns interest in late 60s musical movements.

not only is this ep gerry reads debut association with delsin, but so too does it mark the launch of a new house-focussed series from the dutch imprint.

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

justin berkovi normally should not need an introduction, being involved in multiple techno-projects in the past, and still standing strong nowadays. his track ‘old timer’ reflects his musical personality and history and is being reinterpreted by another techno-historian, aubrey. on the b-side newcomers jack dixon and henning baer make their introduction on other heights with two total different interpretations which are to become oldtimers themselves.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

excellent floating deep house , incl vakula remix

dro & lodzy are back! this is their second single on absolut freak, the follow up to the successful >not yet now< with the remixes by dilemn and gooseflesh.
after the guys reworked play pauls ryskee project (alongside bloody beetroots), autodidakt or nrotb on coco machete, they now return with a new massive track >paradis artificieux<. huge remixes by malente & slap in the bass teaming up under the alias bashed out, hostage and klipar get pressed on vinyl.

two great new edits of nina kraviz >ghetto kraviz<. not originally commissioned they were done on the fly and deemed so hot, they had to be released! both hailing from france, amine edge is part of the french >g house< movement, whilst alex kidd is a long time cohort and member of the rekids crew. catch them whilst you can. this is a limited pressing!

with titan records, amc (arguably the hottest new dj to appear on the dnb scene in years) is crafting what is fast becoming the hottest new label in the scene. not only is he picking up some incredible new talent but has also convinced serial killaz to part with one of their biggest tracks and now he features the mighty wickaman with sparring partner rv.

not long after laxx’s debut release – the laxx ep, walsh and biscuit factory records are proud to bring another fresh face to the foreground. introducing farkas…originating from sweden, farkas, also known as joel metz, has already established himself as a regular favourite with leading swedish outfit all out dubstep. his soul and funk inspirations are clear to hear in his creative and unique style. this together with his excellent ability and understanding of various production techniques, show why farkas is going to be an artist to watch out for in 2012.

2 tracks from the mc that brought you >lidl< and was guest vocalist on mias paper planes remix that went into the us top 5. he has been around the world, finished his degree, guested on dj shadows >i m excited< and is getting ready to break out properly on his own. this is a taster for his mini album that is coming very soon, two tracks that take him in two very different directions. kunta kinte is a classic slice of funky, south african inspired house/ garage. with a strong lyrical message ab takes it back to the time when mcs had something to say other than how fly they were (not that he isnt and he will do some of those). produced by dan anderson from nu sound therapy. the tune is hot! eba eater is a quality slice of african hip hop produced by las twofifteens. it bounces!

einmusika015 comes with three new tracks from einmusik itself. the opener qazaqustan is already club checked, this dancefloor-track with a foreign guitar next to a peak time bass and distinctive melodic finesse in every second, will not go out of your head for sure. die oni and bambataa are poppy numbers taken from the new album oceans bottom summer-openers with dizzying atmospheric parts and a lot of power. the einmusika15 is the third part of the ocenas bottom vinyl serial.

we have decided to publish these tracks as our first release because they took inspiration from the two words label name: eleusína and recreations. thinking about that ancient mysteries and hoping they could survive till nowadays and in the future as a aid of our poor life helped us a lot in composing these tracks.
the two track ep was compost almost interely by machines with a little computer aid. cause we are only humans and conditioned by our fears and weaknesses, we have decided to make them almost mono tracks to maximize the transfer achievement to vinyl. have we took the wrong way? we do not know, but we keep some time to reflect about that and find the best balance between stereo and mono that fits our soul.
here we are, is not time for words right now, let the sounds speak.

le peuple de l herbe eine mixtur aus triphoppiger electro, hip hop, dub, funk, jungle und alternative-rock, mit messerscharfen breaks und bläsersätzen.

originally recorded for chris blackwell of island records the rights of ‘life of contradiction’ were then given to joe higgs who released the album in jamaica and the u.k. in 1975. it was immediately obvious that this was a unique collection coming from a completely different direction to the other reggae releases of the period. although joe had first recorded some of the songs in the early sixties for studio one it was as if he was at last able to realise a vision of his own music that had previously been denied to him: either by financial constraints or from not having the right situation with the right musicians.

white hills newest and most energized recording to date is bursting with raw energy packed into their most concise songs to date. fear not long time white hills fans, there is still loads of killer guitar work and fuzzed out psychedelia on frying on this rock.

the golden anniversary of the godfathers of dutch rock is something that should be celebrated in the best of ways, and music on vinyl has decided to join the party by releasing a brand new compilation of the golden earring on heavyweight 10 inch vinyl!
this is not a run-of-the-mill collection of best ofs, but a personal selection of favourites that in some cases were only released as singles in the early years of the wild boys, before their big international breakthrough. but be quick!
comes as 120 grams audiophile vinylin gold printed and numbered sleeve.

from universal rejection, the northern cell of resistance that gave us last years acid bomb >le coq< by arab league, comes disappearer.
operating from the suburbs outside of stockholm, disappearer has not entered the techno game to find out how its gonna be played. on >now you see me, now you dont< he dictates right away. with its deadly linear pulse and rising and falling oscillators, >now you see me, now you dont< is a steady-handed techno shocktreatment of the nervous system, exemplifying how it should be done in 2012.

a good feeling starts if the first drumsounds of >feel so good< find your way from the boxes in the space. the head own style drawers belonging open in the half dozen and argue about the most correspondent blueprint. house? in any case. disco? unfailable to hear influence. electro? also not to dismiss this. dub? the father of the whole atmosphere. cosmic? also this is a part of the authoritative ingredients in the here available circle of the sounds. and the dance floor suction strengthening cow bells are anyway a tight of a track element of all last music generations! quintessence is, here two artists have poured your wide motley collection in influence in the form of a single track, have condensed and with it have interlocked at least 40 years of dancefloor history in fresh kind with each other.

in over 10 years of experience in the hard electronic music scene, stormtrooper has scored releases on labels such as industrial strength, artillery, deathchant and several others, always bringing a different sound which has shocked the crowds of many countries. now, after his appearance on sana 10, the man strikes back on the 17th release of cerebral destruction with 4 intense, multifaceted tracks which contain the result of his latest sound research. nice and quiet sound e.p. is not just an alchemic mixture of hardcore and drum and bass, but blends also everything in between in a way only stormtrooper can. another dancefloor cleaner? no way! while having his sound fresh and experimental, peter kept the vibe which moves the crowd always avoiding the obvious combinations. the truth is that there are no words for this record the only way to fully understand is to listen for yourself the nice (and not so quiet) sound of stormtrooper!

after the success of their first release (etg001, programm ep) with all vinyl copies selling out, eartoground records quickly steps up again with some fresh new uk techno talent. while a lot of the focus on underground music culture in the uk remains on dubstep, we must not forget the fine pedigree we have in classic techno. here we present the first release from secluded alongside two superb, cutting edge club remixes from jonas kopp and markus suckut.